Based on the Q&A with David Heidenstam on Goodreads.
Q: How would you compare your treatment of men and women in Tales for my dog?
David Heidenstam Well, I’m clearly pretty hard on the men! Their portrayals range from old cultural distortions (the man who talks about “keeping a ‘mistress’”) to sudden violent domestic insanity. In between, there are the stupid, the naively optimistic, those ready to beat people into submission or to death, and those happy to have embarked on world conquest because it’s finally made them feel loved… The women are not shown in such positions of power, because that’s still usually untrue to people’s observations, including my own. Instead they are mostly shown trying to deal with circumstances with intelligence and sensitivity – including turning the tables on someone who’s using authority to threaten them. But, to even things up a bit, there’s a woman with a very emotionless approach to marriage; and – humorously – another who tries to turn a profit from her ex-lover’s heart!
Of course, there’s always the danger that some readers may not be well attuned to satire – e.g. in the case of the man who thinks it’s easier to keep a ‘mistress’ than a dog, because you don’t have to walk her every day… They might like to remember Swift’s bitter satire, in A Modest Proposal – suggesting that the Irish can deal with poverty by selling their children as food to the rich… As a writer, I have to guard a carefully ambivalent attitude to ‘political correctness’. Changing what words are acceptable has clearly played a vital role in changing attitudes and behaviour. But changing what writing is acceptable can distort truth-telling. There are two overlapping dangers. One is a modern version of Victorian bowdlerisation, where some topics are censored. The other is a modern version of Stalinist literature – in which the job of the writer is distorted by the importance of presenting favourable role models.
Q: How would you defend your portrayal of Christian theology, in Tales for my dog and In the Beginning…?
David Heidenstam Oh, I don’t think I would! I happen to be religious, in the sense that I think that the material world is superficial. That consciousness is the underlying nature of the universe, not a rare result of a physical brain. But Western attitudes to religion – both favourable and critical – are grossly distorted. They are distorted by the Abrahamic tradition of God as an all-powerful person – who then has, ridiculously, to be capable of being everywhere and knowing everything. And they are distorted by Christian theology – driven into a cul-de-sac by the issues of the divinity – and parentage! – of Jesus of Nazareth. Which requires that people commit to believing unlikely things – and that they must do so by the exercise of faith. So then religion becomes something necessarily at loggerheads with science. I don’t think Westerners realise how odd Christianity is, how much of an outlier, in the spectrum of world religions. And one which clearly has nothing to do with anything that the historical Jesus actually taught.
Q: Where did you get the idea for Tales for my dog?
David Heidenstam The individual stories came in many different ways. Some years ago, I started trying to tap the unconscious by setting out to write stories in five minutes – with no ideas beforehand… That worked. “The moondreamer” came about in that way, at a hotel café table on Djerba. One minute it didn’t exist, and I had no inkling of it; two minutes later it unalterably did.
Many of the stories in Part One happened like that. Others came deliberately, from memories I wanted to explore. Sometimes the two things came together. The title “The archipelago of the dead” came out of nowhere – and was too good to waste! At first, it seemed it would have to be some kind of fantasy about the afterlife. But then I realised how it could bring together experiences both from sailing and from childhood – with only at the end a nod to the looming consequences of age and to those who’ve gone before.
As for the overall concept, “Tales for my dog” – that started as a jokey title (and a potentially dangerous one – since people might expect them to be stories about dogs). And the justification only comes in the very last words of the last story – with the claim that most people might have had happier lives as dogs… Which then allows one to look back, and see the stories as a kind of education, for, perhaps, a canine audience, in the various strange psychologies of humans.
Q: What’s the best thing about being a writer?
David Heidenstam You can do the writing anywhere. Yes, at some point you’ll probably have to type it up on a computer. But the creative part, that can be sitting at a café table with pen and paper. Or talking into a pocket recorder as you walk – or when you wake in the night.
Q: What’s your advice for aspiring writers?
David Heidenstam Only do it if you have to. Some can make a living from it: but that’s mostly if you’re in contract writing, or (for a successful very few) creating genre fiction, or working in some non-fiction genres – business, health, self-development. Thanks to modern self-publishing & self-promotion, you can bypass the old gatekeepers. But that doesn’t mean anyone’s going to read your stuff. So then it’s a lifestyle choice; sometimes a driven one. Which is fine if you can fit it into the corners of a life that makes you happy in other ways. But if not, you may be facing unhappy choices.
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